CORONILLA, from FATALIS Volume II released 8/1/2017.
Coronilla has a soft buffed copper base with a myriad of color shifting shimmer. It's so much more iridescent with borealis effects in person. Not a single color traveler, this is a blend of numerous color traveling pigments in hopes of creating a chromatic metallic smattering of delicate colors. It worked! This is the result.
The inspiration itself is the meadows of summer flowers around where we live, many of which contain crown vetch and other wildflowers.
Inspired by the Crownvetch plant, which is not poisonous to humans, this one is poisonous to non-ruminant animals such as horses and pigs. Since my Son and I started raising pigs, I've become well-versed in what pasture plants are poisonous. I've pulled a lot of crownvetch out!
From Wikipedia: "Securigera varia (synonym Coronilla varia), commonly known as crownvetch or purple crown vetch, is a low-growing legume vine. Crownvetch grows 1 to 2 feet tall and bears small clusters of 1/2-inch pink and white flowers from early summer to late fall. The variety Penngift produces mounds of pink flowers. Crownvetch is a tough, aggressive spreading plant that will crowd out its neighbors in a show garden but is well suited to a sunny bank, where it will grow for decades with little to no fertilizing, mowing, or weeding since the thick foliage prevents weeds from growing amongst it. ts deep, tenacious, complex root system and thick, fern-like leaves provide excellent erosion control where it is used as a ground cover. However, this legume has a very long germination period of about 6 months and does not create full coverage until two or three years later.
Crownvetch is toxic to horses and other non-ruminants because of the presence of nitroglycosides. If consumed in large amounts, it can cause slow growth, paralysis, or even death. However, this is not true for ruminant animals such as cattle, goats, and sheep. These aliphatic nitro compounds are degraded in ruminant digestion and do not affect the animals."
- Demi Sample: 1/8 teaspoon in 3 gram jar. No sifter. Bottom label only. Sets available.
- Mini Size Jar: 3 gram jar with sifter and top/bottom labels. This size jar contains 1/2 teaspoon which has a minimum net gram weight of 1 grams. This is the same jar size/type/labeling found in the eyeshadows of the Ephemera boxes Sets available.
Contains: synthetic flurophlogopite, mica, iron oxide, talc, tin oxide, magnesium myristate, isododecane, capric/caprylic triglyceride May contain: ferric ferrocyanide
This premium eyeshadow collection features truly unique, color traveling pigments that display a strong and vibrant color shift under artificial light sources. When they are in between two different light sources, you will be able to see the strongest multiple color transmission. Under direct sunlight or diffused artificial light, the effects are muted or washed out, and you will only see a slight and subtle color shift. They have a highly reflective/chrome finish, and they show the most saturated color effects and color travel when exposed to artificial lighting and especially mixed lighting of different color temperatures, much like the beautiful Alexandrite gemstone exhibits trichroism, reflecting and absorbing light differently in different directions and color temperatures.
As the pigments used in this collection are extremely costly and used as the highest percentage in the formulas (they are six times the cost of the typical duochrome/interference pigment), I have adjusted prices/sizing accordingly. Basically, you will find that these are twice the cost of other Aromaleigh eyeshadows. Example: a regular Aromaleigh sample is 1/8 tsp in a baggie for $1.25. In Fatalis, you get 1/16th tsp in a baggie for the same price of $1.25)
Recommended application for these is over a cream eyeshadow base (NYX cream eyeshadow base is my go-to!). Sticky or glue bases may work well for you, but I personally don't use these or test/swatch my products with them. With all color shifting/duochrome shades, I urge you to use a flat taklon brush or other suitable tool to flatten and align the color shifting component of the eyeshadow. This will create a more uniform and reflective surface.